Un Lun Dun (2007)
Un Lun Dun is a 2007 fiction book written by China Miéville.
London keeps losing things. Broken umbrellas, dead milk cartons, words nobody bothers to say any more. They all wash up in UnLondon, a city assembled from the capital's castoffs and running on its own cracked logic.
Twelve-year-old Zanna and her friend Deeba find the way through, and UnLondon has been expecting them. An ancient prophecy names a hero, and the prophecy is written down in a book that talks. The locals treat the absurd as municipal business. Brokkenbroll commands the broken umbrellas. Obaday Fing cuts clothes from paper with a pin-cushion where his head should be. An empty milk carton called Curdle trots after the girls like a puppy. Giraffes hunt the streets. A cloud of smog has plans for the world.
China Miéville plays all of it straight, which is most of the comedy: nobody in UnLondon stops to explain the giraffes, and the jokes sit inside real menace rather than beside it. He illustrated the book himself, so the stray objects and half-people arrive drawn as well as described. It took the 2008 Locus Award for Best Young Adult Book.
Good for readers who want a portal fantasy with grime under it, and for anyone who reads a shop sign and wonders what the words get up to after closing time.
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Explore Un Lun Dun guides
Un Lun Dun in our writing
- Companion guide: Portal Fantasy & Other Worlds
- Companion guide: Urban Fantasy
A few thoughts on Un Lun Dun
Start with The Books of Magic. Neil Gaiman marches a bespectacled London boy through the magical world on a guided tour, and the mix of schoolbag ordinariness and towering strangeness is the closest comic relative to Deeba's UnLondon. His Dark Materials on television supplies the other half: a girl who argues back, a city stacked alongside our own, and a story that lets children carry real consequences. For the comedy, The Colour of Magic builds a fantasy world out of working parts and bad puns with the deadpan Miéville aims at Obaday Fing. The League of Extraordinary Gentlemen is the grown-up shelf-mate, Alan Moore rebuilding Victorian London from borrowed fiction, dense with jokes you catch on the second pass.
